In a delightful and unexpected twist, two cantors from New York City’s Park Avenue Synagogue have taken the traditional Shabbat closing prayer Adon Olam and infused it with a modern Broadway flair. Set to the tune of “Popular” from the beloved musical-turned-movie Wicked, their rendition—fittingly titled “A Wicked Adon Olam”—has captured the attention of thousands online. Performed by Cantors Azi Schwartz and Mira Davis, the video has already been viewed over 100,000 times across social media platforms.
The choice to set Adon Olam to Wicked’s “Popular” wasn’t simply about the music’s appeal; it was also about the story behind the show. Wicked, which reimagines The Wizard of Oz from the perspective of the so-called “Wicked Witch of the West,” explores themes of otherness, misunderstanding, and acceptance. These deeply human struggles resonate with Jewish history and values, where the story of “the other” is central to the Jewish experience.
The character of Elphaba, painted as the villain for being “different,” reflects a narrative familiar to the Jewish people—misunderstood, often maligned, and yet strong in identity and purpose. “It’s absolutely a Jewish story,” said Cantor Schwartz. “It’s about the difficulty for the community to really accept the other for who they are.”
The show’s Jewish ties don’t end there. The music and lyrics were written by Stephen Schwartz, the son of a Jewish family, who infused the score with themes of redemption, resilience, and identity. Moreover, the role of Elphaba has been portrayed by several notable Jewish performers, including Idina Menzel, who originated the role on Broadway. Menzel’s iconic performance not only brought Elphaba to life but solidified the character as a symbol of courage and individuality.
For Cantor Schwartz, the decision to adapt Adon Olam to modern melodies reflects a desire to “meet people where they are.” With Wicked dominating conversations due to its recent film release, this adaptation offers a joyful bridge between Jewish tradition and contemporary culture. Schwartz emphasizes that it’s OK to celebrate dual identities—being both proudly Jewish and engaged with broader American culture—especially in a time of rising antisemitism.
The closing prayer Adon Olam, widely loved for its adaptability, carries a hopeful and timeless message: “Adonai li v’lo ira”—“God is with me, I will not be afraid.” Schwartz describes the prayer’s placement at the end of the service as an opportunity to send people off with confidence, strength, and joy.
The viral success of “A Wicked Adon Olam” speaks to something deeper than a catchy tune. It is a reminder of the power of storytelling—whether through Broadway musicals, liturgical prayers, or moments of creativity on the bimah. Both Wicked and Adon Olam carry messages of resilience, identity, and hope. Together, they invite us to embrace who we are, face life’s challenges without fear, and celebrate the enduring light of faith.
Watch the video of “A Wicked Adon Olam” and see how this beautiful blend of tradition and creativity is inspiring joy and connection across generations.
Original article and full story here
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